We recommend:

New Testaments: Stories by Dagoberto Gilb

Dagoberto Gilb's latest cast of characters includes a young family whose exposure to a mysterious cloud of gas alters their lives forever; a high school dropout whose choice to learn the ways of the world from the adults at work leads him into a dangerous dalliance; a former high-rise carpenter who meets up with an eager old flame; an aging Chicano, living alone, whose children watch over him for signs of decline; and more. Gilb's distinct narrative voice offers his readers a warm welcome as he peels back the surface of everyday life to seamlessly guide us into realms of of myth and fable.

Mystical Moments & Magical Encounters by Carmen Baca

Spirits, angels, saints, talking boxes, trees, journals and more live in the pages of this eclectic and esoteric mix of reality and imagination. Ephemeral and eternal worlds meet in the Land of Enchantment through mystical moments and magical encounters. Baca weaves old world traditions, ancestral rituals, cultural customs, and archaic superstitions with the beliefs and spirituality of an insular people known as los Norteños.

Pulling threads from her family’s history and from her own encuentros with the unexplained, Baca offers perspectives about what such tiny fabrics of time might be: are we perhaps visited by the dead? What inspires those wrong place or right time instances which change our lives’ direction? Do miracles exist? Fate? Design or free will? Stitching fact with fiction, Baca hooks readers into exploring possibilities.

She asks, “Have you ever had a moment, a feeling, that you’re in the presence of…of… something for which there is no rational explanation? I’ve felt them; haven’t you? A sudden chill, a presentiment, / A strange sensation awakens. / A whiff of a nostalgic scent, / A fleeting blur in the corner of the eye, a rise or fall of the / Temperature or a breath of wind in the face so sudden / We wonder if we imagine them. We know who they are.”

Old California Strikes Back by Scott Russell Duncan

Old California Strikes Back is a modern Ramona Diary, the record tourists kept of the sites of Old California and the book Ramona and Hollywood movies that renamed and transformed them. A mix of fantasy and memoir, the author SRD's tour turns surreal as he enters the myths of the Californios with the talking head of the Chicano folk hero Joaquin Murrieta. They race a self-styled Zorro to get the spurious Jewels of Ramona while the media is convinced SRD and Joaquin are the serial killer dubbed Two-Heads. Ultimately, SRD records his truth and recreates a reality where he may exist.

Tías and Primas: On Knowing and Loving the Women Who Raise Us by Prisca Dorcas Mojica Rodríguez

From the author of For Brown Girls with Sharp Edges and Tender Hearts, a celebration of the women at the heart of Latine families

Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tías and primas fundamentally shaped her view of the world--and so did the labels that were used to talk about them. The tía loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain.

In Tías and Primas, the follow-up to her acclaimed debut For Brown Girls with Sharp Edges and Tender Hearts, Mojica Rodríguez explores these archetypes. Fearlessly grappling with the effects of intergenerational trauma, centuries of colonization, and sexism, she attempts to heal the pain that is so often embodied in female family lines.
Tías and Primas is a deeply felt love letter to family, community, and Latinas everywhere.

Not the Killing Kind by Maria Kelson

This gripping, high-stakes debut thriller about the lengths mothers will go to protect their children is perfect for fans of Wanda M. Morris and Jess Lourey.

Boots Marez is a Latina single mother raising a headstrong and sly eighteen-year-old boy she adopted six years ago. She also runs a school that helps the undocumented people in her politically divided town in Northern California. When her son Jaral is jailed for the murder of one of her former students, her world is turned upside down.

Struggling to protect her son, Boots has to spotlight a community used to living in the shadows, putting her hard work over the years in doubt. Meanwhile, a vicious parents' board wants to trash her ideals and oust her from the school she helped build. As she faces increasing danger to clear her son's name, she must decide how far she is willing to go to bring her son home.

But nothing is as it seems--Jaral has been keeping secrets from her after all. And as she puts the missing pieces together, she will discover a deeper and darker web of lies that has been hiding in plain sight.

The Blue Mimes: Poems by Sara Daniele Rivera

Sara Daniele Rivera's award-winning debut is a collection of sprawling elegy in the face of catastrophic grief, both personal and public. From the lead-up to the 2016 presidential election through the COVID-19 pandemic, these poems memorialize lost loved ones and meditate on the not-yet gone--all while the wider-world loses its sense of connection, safety, and assurance. In those years of mourning, The Blue Mimes is a book of grounding and heartening resolve, even and especially in the states of uncertainty that define the human condition.

Rivera's poems travel between Albuquerque, Lima, and Havana, deserts and coastlines and cities, Spanish and English--between modes of language and culture that shape the contours of memory and expose the fault lines of the self. In those inevitable fractures, with honest, off-kilter precision, Rivera vividly renders the ways in which the bereft become approximations of themselves as a means of survival, mimicking the stilted actions of the people they once were. Where speech is not enough, this astonishing collection finds a radical practice in continued searching, endurance without promise--the rifts in communion and incomplete pictures that afford the possibility to heal.

My Chicano Heart: New and Collected Stories of Love and Other Transgressions by Daniel A. Olivas

My Chicano Heart is a collection of author Daniel A. Olivas's favorite previously published tales about love, along with five new stories, that explore the complex, mysterious, and occasionally absurd machinations of people who simply want to be appreciated and treasured. Readers will encounter characters who scheme, search, and flail in settings that are sometimes fantastical and other times mundane: a man who literally gives his heart to his wife who keeps it beating safely in a wooden box; a woman who takes a long-planned trip through New Mexico but, mysteriously, without the company of her true love; a lonely man who gains a remarkably compatible roommate who may or may not be real--just to name a few of the memorable and often haunting characters who fill these pages. Olivas's richly realized stories are frequently infused with his trademark humor, and readers will delight in--and commiserate with--his lovestruck characters.

Each story is drawn from Olivas's nearly twenty-five years of experience writing fiction deeply steeped in Chicano and Mexican culture. Some of the stories are fanciful and full of magic, while others are more realistic, and still others border on noir. All touch upon that most ephemeral and confounding of human emotions: love in all its wondrous forms.

House of Bone and Rain by Gabino Iglesias

In the latest from Shirley Jackson and Bram Stoker Award-winning author of THE DEVIL TAKES YOU HOME, a group of young men seek vengeance after one of their mothers is murdered in a Puerto Rican slum; STAND BY ME with a haunted, obsidian-dark heart.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe's grandmother's refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We're gonna kill the guys who killed her Bimbo swears. And they all agree.

Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.

Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.

Malas by Marcela Fuentes

In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family.

More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father's moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town.

Their unexpected kinship picks at the secrets of Lulu's family's past. As the quinceañera looms--and we move between these two strong, irascible female voices--one woman must make peace with the past, and one girl pushes to embrace her future.

Rich with cinematic details--from dusty rodeos to the excitement of a Selena concert and the comfort of conjunto ballads played at family gatherings--this memorable debut is a love letter to the Tejano culture and community that sustain both of these women as they discover what family means.

Craft: Stories I Wrote for the Devil by Ananda Lima

At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes stories for him about things that are both impossible and true.

Lima lures readers into surreal pockets of the United States and Brazil where they'll find bite-size Americans in vending machines and the ghosts of people who are not dead. Once there, she speaks to modern Brazilian-American immigrant experiences-of ambition, fear, longing, and belonging--and reveals the porousness of storytelling and of the places we call home.

The Inca Weaver’s Tales by Katherine Quevedo

Katherine Quevedo's The Inca Weaver’s Tales traverses a fabled landscape inspired by Ecuadorian and Peruvian folklore in rich, cyclical verse that mimics the interconnected nature of humanity and divinity as a whole.

My Body Is Paper: Stories and Poems by Gil Cuadros

Since City of God (1994) by Gil Cuadros was published 30 years ago, it has become an unlikely classic (an "essential book of Los Angeles" according to the LA Times), touching readers and writers who find in his work a singular evocation of Chicanx life in Los Angeles during and leading up to the AIDS epidemic, which took his life in 1996. Little did we know, Cuadros continued writing exuberant prose and poems in the period between his one published book and his untimely death at the age of 34. This recently discovered treasure, My Body Is Paper, is a stunning portrait of sex, family, religion, culture of origin, and the betrayals of the body. Tender and blistering, erotic and spiritual--Cuadros dives into these complexities which we grapple with today, showing us how to survive these times, and beyond.

Street of Too Many Stories by Denise Chávez

"Denise Chávez's new novel, Street of Too Many Stories, is an expansive yet richly intimate tale about the inhabitants of a New Mexican calle. Chávez embraces the losses, dreams, and secrets of the border, its peoples, and of the complex destinies set in motion by place. A sensory feast!"

Cristina García, Author of Vanishing Maps

Incantation: Love Poems for Battle Sites by Xochitl-Julisa Bermejo

Bermejo delves into the heart of the matter, contemplating the significance of U.S. monuments as both symbols of history and battlegrounds for ideological strife, and imparts a compassionate ear to the marginalized, memorializing the lives of Black and brown individuals whose lives were cut short by state-sanctioned violence. But Bermejo's poetry also brims with love, passion, and determination to resist the prevailing chaos. She crafts love poems celebrating the bonds of family, the strength of friendships, and the allure of defiance. Incantation dances like flames in rituals of resistance and resilience, illuminating paths toward a future unburdened by the shackles of misogyny and white supremacy.

The collection is inspired by writers like bell hooks, Audrey Lorde, and Adrienne Maree Brown. The influence of hooks' All About Love lends a sense of introspection to Bermejo's poetry as she examines the complex interplay of love within the context of societal upheaval. Lorde's exploration of the "Uses of the Erotic" adds layers of empowerment to the collection, breathing life into the transformative potential of embracing the self. And from Brown's Pleasure Activism, Bermejo draws that pleasure can be a vehicle for activism, a means of reshaping a world fractured by discord. She summons love, pleasure, and the human body to reimagine a collective vision of liberation from prejudice and discrimination. Bermejo crafts a literary sanctuary, a space where readers can confront the harsh realities of today's America while kindling the flames of hope.

Bad Mexican, Bad American by Jose Hernandez Diaz

This collection of poems by Jose Hernandez Diaz showcases the unique style that has made him a rising star in the poetry community.

In Bad Mexican, Bad American, the minimalist, working-class aesthetic of a "disadvantaged Brown kid" takes wing in prose poems that recall and celebrate that form's ties to Surrealism. With influences like Alberto Ríos and Ray Gonzalez on one hand, and James Tate and Charles Baudelaire on the other, the collection spectacularly combines "high" art and folk art in a way that collapses those distinctions, as in the poem "My Date with Frida Kahlo" "Frida and I had Cuban coffee and then vegetarian tacos. We sipped on mescal and black tea. At the end of the night, in a moment of awkward silence during a conversation on Cubism, we kissed for about thirty minutes beneath a protest mural by David Alfaro Siqueiros."
Bad Mexican, Bad American demonstrates how having roots in more than one culture can be both unsettling and rich: van Gogh and Beethoven share the page with tattoos, graffiti, and rancheras; Quetzalcoatl shows up at Panda Express; a Mexican American child who has never had a Mexican American teacher may become that teacher; a parent's "broken" English is beautiful and masterful. Blending reality with dream and humility with hope, Hernandez Diaz contributes a singing strand to the complex cultural weave that is twenty-first-century poetry.

Chicano Frankenstein by Daniel A. Olivas

A modern retelling of the Mary Wollstonecraft Shelley classic that addresses issues of belonging and assimilation

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased. With elements of science fiction, horror, political satire and romance, Chicano Frankenstein confronts our nation's bigotries and the question of what it truly means to be human.

Roots of the Banyan Tree by Kathryn Silver-Hajo

Kathryn Silver-Hajo's debut novel paints an unforgettable portrait of the life of young protagonist, Noor, as she navigates the dangers of civil war in her native Lebanon and the challenges of life in the diaspora in the New York City of the 1970s. Silver-Hajo deftly portrays the tragedy of a country torn apart by sectarian conflict, but also the excitement of the teenaged narrator's coming-of-age adventures. But when her mother reveals a closely-held secret, Noor is shaken, yet wiser and more determined than ever to define her place in the world. The characters and events that animate Roots of the Banyan Tree promise to burrow deep in readers' hearts and refuse to be forgotten.

Victim by Andrew Boryga

There's a fine line between bending the truth and telling bold-faced lies, and Javier Perez is willing to cross it. Victim is a fearless satire about a hustler from the Bronx who sees through the veneer of diversity initiatives and decides to cash in on the odd currency of identity.

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background--murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity--can be a key to doors he didn't even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.

As a college student, Javi embellishes his life story until there's not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn't seem to care about Javi's newfound awareness of white privilege or the school-to-prison pipeline. Soon after Javi graduates, a viral essay transforms him from a writer on the rise to a journalist at a legendary magazine where the editors applaud his "unique perspective." But Gio more than anyone knows who Javi really is, and sees through his game. Once Gio's released from prison and Javi offers to cut him in on the deal, will he play along with Javi's charade, or will it all come crumbling down?

A sendup of virtue signaling and tear-jerking trauma plots written with the bite of Paul Beatty, Victim asks what real diversity looks like and how far one man is willing to go to make his story hit the right notes.

How We Named the Stars by Andrés N. Ordorica

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family's hopes and dreams, and the burden of sharing his late uncle's name. Daniel flounders at first--but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam's hesitation and then by a brutal turn of events that changes Daniel's life forever.

As he grapples with profound loss, Daniel finds himself in his family's ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what's happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle's? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica's How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are--and who you could be--if only the world would let you.

Nostalgia Doesn’t Flow Away Like Riverwater by Irma Pineda

Nostalgia Doesn't Flow Away Like Riverwater / Xilase qui rié di' sicasi rié nisa guiigu' / La Nostalgia no se marcha como el agua de los ríos is a trilingual collection by one of the most prominent Indigenous poets in Latin America: Irma Pineda. The book consists of 36 persona poems that tell a story of separation and displacement in two fictionalized voices: a person who has migrated, without papers, to the United States for work, and that person's partner who waits at home, in the poet's hometown of Juchitán, Oaxaca.

According to Periódico de Poesía, a journal based at UNAM (Mexico's national university), when it was published in 2007, this book established Pineda "one of the strongest poets working in Zapotec, the [Mexican] Native language with the largest literary production."

When Language Broke Open: An Anthology of Queer and Trans Black Writers of Latin American Descent by Alan Pelaez Lopez

When Language Broke Open collects the creative offerings of forty-five queer and trans Black writers of Latin American descent who use poetry, prose, and visual art to illustrate Blackness as a geopolitical experience that is always changing. Telling stories of Black Latinidades, this anthology centers the multifaceted realities of the LGBTQ community.
By exploring themes of memory, care, and futurity, these contributions expand understandings of Blackness in Latin America, the Caribbean, and their U.S.-based diasporas. The volume offers up three central questions: How do queer and/or trans Black writers of Latin American descent address memory? What are the textures of caring, being cared for, and accepting care as Black queer and/or trans people of Latin American descent? And how do queer and trans embodiments help us understand and/or question the past and the present, and construct a Black, queer, and trans future?

The works collected in this anthology encompass a multitude of genres--including poetry, autobiography, short stories, diaries, visual art, and a graphic memoir--and feature the voices of established writers alongside emerging voices. Together, the contributors challenge everything we think we know about gender, sexuality, race, and what it means to experience a livable life.

Pedro Páramo by Juan Rulfo (New translation by Douglas J. Weatherford)

The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez. A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man's quest for his lost father. That man swears to his dying mother that he will find the father he has never met--Pedro Páramo--but when he reaches the town of Comala, he finds it haunted by memories and hallucinations. There emerges the tragic tale of Páramo himself, and the town whose every corner holds the taint of his rotten soul. Although initially published to a quiet reception, Pedro Páramo was soon recognized as a major novel that has served as a touchstone text for writers including Mario Vargas Llosa and José Donoso. Now published in a new translation from the definitive Spanish edition by celebrated Rulfo scholar Douglas J. Weatherford, and featuring a foreword by Gabriel García Márquez, this new edition of the novel cements its place as one of the seminal literary texts of the twentieth century.

Pedro & Daniel by Frederico Erebia

Pedro and Daniel are Mexican-American brothers growing up in 1970s Ohio. Their mom doesn't like that Pedro is a spitting image of their darker-skinned father, that Daniel plays with dolls, that neither of the boys love sports like the other kids in their neighborhood. Life at home can be rough - but the boys have an unshakable bond that will last their entire lives.

Pedro & Daniel is a sweeping and deeply personal novel - illustrated with beautiful linework throughout by Julie Kwon - that spans from childhood to teenage years to adulthood, all the while tracing the lives of two brothers who are there for each other when no one else is. Together the brothers manage an abusive home life, school, coming out, first loves, first jobs, and the AIDS epidemic, in a coming-of-age story unlike any other.

Plantains and Our Becoming: Poems by Melania Luisa Marte

A rousing, beautifully observed, and tender-hearted debut poetry collection about identity, culture, home, and belonging--for fans of Jasmine Mans and Fatimah Asghar
"We, children of plátanos, always gotta learn to play in everyone else's backyard and somehow feel at home."

Poet and musician Melania Luisa Marte opens PLAINTAINS AND OUR BECOMING by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record--to build upon the legacies of your ancestors?

In this imaginative, blistering poetry collection, Marte looks at the identities and histories of the Dominican Republic and Haiti to celebrate and center the Black diasporic experience. Through the exploration of themes like self-love, nationalism, displacement, generational trauma, and ancestral knowledge, this collection uproots stereotypes while creating a new joyous vision for Black identity and personhood.

Tropicália by Harold Rogers

Daniel Cunha has a lot on his mind.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father.
Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel's grandfather João--poor João--born to a prostitute and forced to raise his siblings while still a child himself. Not João's wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister's beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother's greedy absence.

There's poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year's Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach.

Amid the cacophony of Rio's tumult--rampant poverty, political unrest, the ever-present threat of violence--a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love.

Las Madres by Esmeralda Santiago

They refer to themselves as "las Madres," a close-knit group of women who, with their daughters, have created a family based on friendship and blood ties.Their story begins in Puerto Rico in 1975 when fifteen-year-old Luz, the tallest girl in her dance academy and the only Black one in a sea of petite, light-skinned, delicate swans, is seriously injured in a car accident. Tragically, her brilliant, multilingual scientist parents are both killed in the crash. Now orphaned, Luz navigates the pressures of adolescence and copes with the aftershock of a brain injury, when two new friends enter her life, Ada and Shirley. Luz's days are consumed with aches and pains, and her memory of the accident is wiped clean, but she suffers spells that send her mind to times and places she can't share with others.

In 2017, in the Bronx, Luz's adult daughter, Marysol, wishes she better understood her. But how can she when her mother barely remembers her own life? To help, Ada and Shirley's daughter, Graciela, suggests a vacation in Puerto Rico for the extended group, as an opportunity for Luz to unearth long-buried memories and for Marysol to learn more about her mother's early life. But despite all their careful planning, two hurricanes, back-to-back, disrupt their homecoming, and a secret is revealed that blows their lives wide open. In a voice that sings with warmth, humor, friendship, and pride, celebrated author Esmeralda Santiago unspools a story of women's sexuality, shame, disability, and love within a community rocked by disaster.

Creep: Accusations and Confessions by Myriam Gurba

A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does--it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it.

Creep is Myriam Gurba's informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools, and homes. Through cultural criticism disguised as personal essay, Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. Yet identifying individual creeps, creepy social groups, and creepy cultures is only half of this book's project--the other half is examining how we as individuals, communities, and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.

With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from Joan Didion to her former abuser, everything from Mexican stereotypes to the carceral state. Braiding her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.

Blackouts by Justin Torres

From the bestselling author of We the Animals, Blackouts mines lost histories--personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.
Product Details

Daughters of Latin America
An International Anthology of Writing by Latine Women
Edited by Sandra Guzmán

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world--from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña--gathered in one magnificent volume.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists--including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize-winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.

More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.

My Name is Iris by Brando Skyhorse

Brando Skyhorse, the PEN/Hemingway Award-winning author of The Madonnas of Echo Park, returns with a riveting literary dystopian novel set in a near-future America where mandatory identification wristbands make second-generation immigrants into second-class citizens--a powerful family saga for readers of Mohsin Hamid's Exit West and Rumaan Alam's Leave the World Behind.

Iris Prince is starting over. After years of drifting apart, she and her husband are going through a surprisingly drama-free divorce. She's moved to a new house in a new neighborhood, and has plans for gardening, coffee clubs, and spending more time with her nine-year-old daughter Melanie. It feels like her life is finally exactly what she wants it to be.

Then, one beautiful morning, she looks outside her kitchen window--and sees that a wall has appeared in her front yard overnight. Where did it come from? What does it mean? And why does it seem to keep growing?

Meanwhile, a Silicon Valley startup has launched a high-tech wrist wearable called "the Band." Pitched as a convenient, eco-friendly tool to help track local utilities and replace driver's licenses and IDs, the Band is available only to those who can prove parental citizenship. Suddenly, Iris, a proud second-generation Mexican American, is now of "unverifiable origin," unable to prove who she is, or where she, and her undocumented loved ones, belong. Amid a climate of fear and hate-fueled violence, Iris must confront how far she'll go to protect what matters to her most.

My Name Is Iris is an all-too-possible story about family, intolerance, and hope, offering a brilliant and timely look at one woman's journey to discover who she can't--and can--be.

The Satchel and Other Terrors by Matias Travieso-Diaz

So begins the title story, and so begins this ominous collection of tales from settings around the world and times both close and long past. We are taken into realms terror, dragged by the hand into haunted places and minds, meeting characters whose fates could be our own if we aren't careful.

A lonely woman on a cruise will not find what she's looking for until she realizes why she is on this ocean voyage.

A man visits a remote village in Africa to learn that some monsters aren't quite what he expected them to be.

An unfinished opera becomes a man's obsession to find those lost notes, no matter the means by which they are found.

A clumsy but meaningful art piece by a blind girl becomes the bane of the art examiner who interviews candidates for a prestigious art school.

A portal is opened, a poker game is played, a mine is operated, and dolls are fabricated. Each story opens a new conflict, a new strife, a new view of both the extraordinary and the banal elements of our world. You will be mystified and intrigued, terrified and horrified, all as you turn the pages and discover these stories of dark imaginings.

Ander & Santi Were Here by Jonny Garza Villa

The Santos Vista neighborhood of San Antonio, Texas, is all Ander Martínez has ever known. The smell of pan dulce. The mixture of Spanish and English filling the streets. And, especially their job at their family's taquería. It's the place that has inspired Ander as a muralist, and, as they get ready to leave for art school, it's all of these things that give them hesitancy. That give them the thought, are they ready to leave it all behind?

To keep Ander from becoming complacent during their gap year, their family "fires" them so they can transition from restaurant life to focusing on their murals and prepare for college. That is, until they meet Santiago López Alvarado, the hot new waiter. Falling for each other becomes as natural as breathing. Through Santi's eyes, Ander starts to understand who they are and want to be as an artist, and Ander becomes Santi's first steps toward making Santos Vista and the United States feel like home.

Until ICE agents come for Santi, and Ander realizes how fragile that sense of home is. How love can only hold on so long when the whole world is against them. And when, eventually, the world starts to win.

No Stars in the Sky by Martha Batiz

The nineteen stories in No Stars in the Sky feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in No Stars in the Sky face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico-U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.

Relinquenda: Poems by Alexandra Regalado

A 4-part poetry collection that explores women's roles in familial dynamics, immigration, and El Salvador's civil war while reflecting on the death of the poet's father

A National Poetry Series winner, selected by the celebrated poet Reginald Dwayne Betts
When COVID-19 broke and the United States closed the border to travel, Alexandra Lytton Regalado was separated from family back in El Salvador. She wrote Relinquenda entirely during lockdown as a meditation on cancer, the passing of her father, and the renewed significance of community.

The central part of the collection focuses on her father during his 6-year struggle with cancer and considers how his stoicism, alcoholism, and hermitage might serve as mirror and warning. In contrast, she dedicates other poems to what it means for daughters, mothers, and wives to care for another as reflected in her relationships with the men in her life.

Situated in the tropical landscapes of Miami, Florida and El Salvador, the poems also negotiate the meaning of home, reflecting on immigration and the ties between United States and El Salvador 30 years after her birth country's decade-long civil war.
In a lyrical and often bilingual voice, Regalado explores the impermanence and the body, communication and inarticulation, and the need to let go in order to heal regrets.

Chicana Portraits: Critical Biographies of Twelve Chicana Writers, Norma E. Cantú (Editor)

This innovative collection pairs portraits with critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements.

Artist Raquel Valle-Sentíes's portraits bring visual dimension, while essays delve deeply into the authors' lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. The collection brilliantly intersects artistic visual and literary cultural productions, allowing complex themes to emerge, such as the fragility of life, sexism and misogyny, Chicana agency and forging one's own path, the struggles of becoming a writer and battling self-doubt, economic instability, and political engagement and activism.

Arranged chronologically by birth order of the authors, the book can be read cover to cover for a genealogical overview, or scholars and general readers can easily jump in at any point and read about an individual author, regardless of the chronology.
Biographies included in this work include Raquel Valle-Sentíes, Angela de Hoyos, Montserrat Fontes, Gloria E. Anzaldúa, Norma E. Cantú, Denise Elia Chávez, Carmen Tafolla, Cherríe Moraga, Ana Castillo, Lorna Dee Cervantes, Sandra Cisneros, and Demetria Martínez.

We Don't Swim Here by Vincent Tirado

New from the 2023 Pura Belpré Award-winning author of Burn Down, Rise Up!

She is the reason no one goes in the water. And she will make them pay. A chilling new novel for fans of Tiffany D. Jackson, Lamar Giles, and Ryan Douglass.

Bronwyn is only supposed to be in rural Hillwoods for a year. Her grandmother is in hospice, and her father needs to get her affairs in order. And they're all meant to make some final memories together.

Except Bronwyn is miserable. Her grandmother is dying, everyone is standoffish, and she can't even go swimming. All she hears are warnings about going in the water, despite a gorgeous lake. And a pool at the abandoned rec center. And another in the high school basement.

Anais tries her hardest to protect Bronwyn from the shadows of Hillwoods. She follows her own rituals to avoid any unnecessary attention--and if she can just get Bronwyn to stop asking questions, she can protect her too. The less Bronwyn pays attention to Hillwoods, the less Hillwoods will pay attention to Bronwyn. She doesn't get that the lore is, well, truth. History. Pain. The living aren't the only ones who seek retribution when they're wronged. But when Bronwyn does more exploring than she should, they are both in for danger they couldn't expect.

Good Night, Irene by Luis Alberto Urrea

In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.

After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.

Slash and Burn by Claudia Hernández

As a girl she sees her village sacked and her beloved father and brothers flee. Her life in danger, she joins the rebellion in the hills, where her comrades force her to give up the baby she conceives. Years later, having outlived countless men, she leaves to find her lost daughter, traveling across the Atlantic with meager resources. She returns to a community riven with distrust, fear and hypocrisy in the wake of the
revolution.

Hernández's narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of
political trauma

Corazón by Yesika Salgado

Corazón is a love story. It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn't enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.

Plantains and Our Becoming: Poems by Melania Luisa Marte

Moving from New York to Texas to the Dominican Republic and to Haiti, this collection looks at the legacies of colonialism and racism but never shies away from highlighting the beauty--and joy--that comes from celebrating who you are and where you come from.

Daughters of the Stone by Dahlma Llanos

A lyrical powerful novel about a family of Afro-Puerto Rican women spanning five generations, detailing their physical and spiritual journey from the Old World to the New.

It is the mid-1800s. Fela, taken from Africa, is working at her second sugar plantation in colonial Puerto Rico, where her mistress is only too happy to benefit from her impressive embroidery skills. But Fela has a secret. Before she and her husband were separated and sold into slavery, they performed a tribal ceremony in which they poured the essence of their unborn child into a very special stone. Fela keeps the stone with her, waiting for the chance to finish what she started. When the plantation owner approaches her, Fela sees a better opportunity for her child, and allows the man to act out his desire. Such is the beginning of a line of daughters connected by their intense love for one another, and the stories of a lost land.

Mati, a powerful healer and noted craftswoman, is grounded in a life that is disappearing in a quickly changing world.

Concha, unsure of her place, doesn't realize the price she will pay for rejecting her past.

Elena, modern and educated, tries to navigate between two cultures, moving to New York, where she struggles to keep her family together.

Carisa turns to the past for wisdom and strength when her life in New York falls apart.

The stone becomes meaningful to each of the women, pulling them through times of crisis. Dahlma Llanos-Figueroa shows great skill and warmth in the telling of this heartbreaking, inspirational story about mothers and daughters, and the ways in which they hurt and save one another.

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